Review:
Rap Appreciation
101: A lesson in how to love a very misunderstood music genre.
Straight Outta Compton is everything We Are Your Friends (see my review here)
wanted to be but wasn’t. Being far from a rap fan myself, I must admit that I
was initially hesitant about seeing this film, but ultimately I found myself realising
I was one of the prime audience demographics targeted in order for the film to
get its message across, and any initial dread was soon punched out of me by one
knockout film.
Directed by F.
Gary Gray (whose name turned out to be a bit of a tongue twister for me when I
was reviewing this gem on the radio), Straight
Outta Compton documents the rise of N.W.A in the late 80s to early 90s; a
group generally credited with creating the influential ‘Gangsta Rap’ movement.
We are expertly guided through some of their most defining moments, including
Dr. Dre and Ice Cube’s turbulent rise to fame: two huge entities in
contemporary culture that, even if you’ve been living under a rock all your
life, you will have heard of these men.
A striking
aspect of Straight Outta Compton is
the relevance it still holds in today’s social climate – during the film we are
persistently inundated with distressing scenes of the ongoing race rows in
America, where black people are intimidated and thrown to the ground by police,
made more profound with all the events happening in Ferguson and elsewhere in
America right now. This cleverly enables audiences outside this particular social
context to tap into the fascinating story of how and why a band like N.W.A
formed when and where they did. These were young men who were sick, tired, and
damn angry at the injustice and oppression they were continuously subjected to.
Skilfully portraying this anger were the young lead actors Corey Hawkins,
O’Shea Jackson Jr. (the freakishly spitting image of his father Ice Cube) and
Jason Mitchell, whose gutsy and exuberant performances make this film a compelling
piece of storytelling. Stylish and powerful shots of stadium performances of
tracks, such as, “Fuck Tha Police” were superb, and it was visibly tough for us
cinema-goers to stop ourselves from fist punching the air when those first
beats pump into play, defying the cops stalking through the concert crowd. These
scenes perfectly juxtapose the gritty handheld shots of some rather harrowing
events, giving a stark reminder of the costs of N.W.A’s journey to fame.
A difficult
aspect of Straight Outta Compton is
the outright misogyny depicted - often with graphic close-ups of how the women
in these circles were treated like meat and entertainment for the young,
up-and-coming men of the moment. Whilst this most certainly unacceptable
behaviour is a challenging watch for any audience member, it must be understood
that the film is documenting what happened at a specific time, and presents how
these young men learnt how to handle the life they were dealt in 1980s Los
Angeles. Omission of Dr. Dre’s violence towards women has been widely reported,
and, although this is certainly understandable, one reason for this could be
that the film ultimately belongs to Eazy-E; the film’s narrative arc begins and
ends with him. One beneficial thing, nevertheless: Straight Outta Compton‘s smart audience members have brought this
discussion of violence against women back into mainstream news, despite it not
actually being shown on screen.
Conclusively, Straight Outta Compton succeeds in going
beyond any previous assumptions you are likely to hold when you enter the
cinema. This movie is a slice of cultural history that will educate and
hopefully inspire a new generation. Straight
Outta Compton - Parental advisory: explicit (but fucking awesome) content.
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