Tuesday 7 July 2015

Going Clear: Scientology and the Prison of Belief (2015)

Review:
Giggling, grimacing and gaining clarity – Going Clear brilliantly provides insight into the evils of the religion of Scientology.

I’m a little behind on getting this review out into the blogosphere because finding showings of this film was a toughie. Those at the top of the Church of Scientology have been bringing out the big guns (their lawyers) to attempt to quash this film gaining any voice. As I found in this film, this type of practice from them is more commonplace than Scientologists sycophantically applauding life size portraits of the late creepy creator of Scientology, L. Ron Hubbard. Quickly pop over to Google and search the name of the film and the first site you will come across is alexgibneypropaganda.com, set up, paid for and run by Scientologists to try and tarnish any damning evidence Alex Gibney has thrown at them. Even when I was chatting to my fellow film geek friend, she was under the assumption that Going Clear is a ‘mockumentary’! After finally getting to watch this film in a dinky screen of an Arts Picturehouse, I can assuredly say that it is far from that and you start to understand why Scientologists are panicking. Going Clear is likely to be the most important film this year that you probably won’t get to see.


As someone who already finds blind faith and organised religion rather baffling and uncomfortable notions, what unfolded on the screen began to feel more of a horror movie than a documentary. Going Clear tells a tale that seems oh so familiar to the stories of Jim Jones and Jonestown, just with less of the Kool Aid, more of the money and lots of Tom Cruise. Based on Lawrence Wright’s book, Going Clear delivers to the audience an in-depth look into the bizarre history and world of Scientology. Gibney expertly examines all aspects of the religion and its often invasive and disturbing practices. I frequently found myself mesmerised by the use of poignant archive footage when accompanied by the haunting soundtrack, whilst being drawn into the main narrative told by the exceptionally well-executed interviews with those who have lived as Scientologists before escaping its grasp…well…as much as they possibly can.

The film is not without its humour though. Whether it’s our peek at the downright weird corporate-style promotional videos (the Pope may want to take note of how not to do it if he ever decides to take a similar route for distracting people from Catholicism’s sometimes dodgy activities in the future), the happy clappy sing-a-long “We Stand Tall” video of David Miscavige and other top Scientologist executives, or interview footage of Tom Cruise jabbering on in the rather crazy manner he has become known for, all led to chuckles from myself and the few other cinemagoers around me. However, as I’m sure was Gibney’s intention, these giggle moments just made what is really going on behind those seemingly impenetrable gates of Scientology even more horrific. The clear and apparent embarrassment and shame felt by the interviewees when they try to understand their naivety for sticking through all the craziness for so long (some around 30 years) became even more heartbreaking. You could be forgiven for going into this film assuming that these people were foolish and brought it all upon themselves, but you leave feeling a sense of pity and fear for all the other men, women and children who are still so deeply trapped within the organisation that they are willing to cast out or “disconnect” with their own family members forever, simply because they are told their loved ones are SP - “suppressive persons”. 


Going Clear is further evidence of Alex Gibney’s skill at being able to tell intriguing stories about the disturbing activities of certain echelons within our society that often happen, and are allowed to happen, right under our noses; the seemingly mundane skilfully crafted into chilling exposés. When I left the cinema, I was unsure whether to laugh or cry and started to hope that what I had witnessed was indeed a ‘mockumentary’, as my friend had first thought. That soon grew into a strong sense of anger, a determination to get others to see the film, and the feeling of needing a shower to wash off the years of seeing any films starring Tom Cruise.

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